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- ADOBE LIGHTROOM FREE PRESETS AFTERNOON PUNCHY PRO
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ADOBE LIGHTROOM FREE PRESETS AFTERNOON PUNCHY PLUS
Working on 16 bit images (well, 15 bit plus 1 level if truth be told) means we can control our adjustments in Photoshop within a range of 32,768 tones. Why do I keep ‘banging on’ about edges?īecause edges are critical – and most of you guys ‘n gals hardly ever look at them close up.Īll images contain areas of high and low frequency detail, and these areas require different process treatments, if you want to obtain the very best results AND want to preserve the ability to print.Ĭleanly defined edges between these areas allow us to use layer masks to separate these areas in an image, and obtain the selective control.Ĭlean inter-tonal boundaries also allow us to separate shadows, various mid tone ranges, and highlights for yet more finite control. Using BOTH can cause halos along high contrast edges, and edges where high frequency detail sits next to very low frequency detail of a contrasting colour – birds in flight against a blue sky spring to mind. If we look at Lightroom as a raw processor (as opposed to raw converter) it encourages the user to employ ‘recovery’ in shadow and highlight areas.
ADOBE LIGHTROOM FREE PRESETS AFTERNOON PUNCHY PRO
Iridient and RT have zero DAM capability that’s worth talking about.Ĭapture One Pro is a better raw converter on the whole than Lightroom, but it’s more complex, and its DAM structure looks like it was created by crack-smoking monkeys when you compare it to the effective simplicity of Lightroom.
ADOBE LIGHTROOM FREE PRESETS AFTERNOON PUNCHY MAC
Raw Therapee is very complex (and slightly ‘clunky’ on Mac OSX) but it is very good once you know your way around it. Iridient is expensive and complex – but if you shoot Fuji X-Trans you are crazy if you don’t use it.
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Well, here’s the bad news – there isn’t !Įven if you shoot the same camera and lens combo at the same settings all the time, your images will exhibit an array of various properties.Īnd those properties, and the ratio/mix thereof, can, and will, effect the efficacy of various sharpening methods and techniques.Īnd, those properties will rarely be the same from shoot to shoot.Īdd interchangeable lenses, varied lighting conditions, and assorted scene brightness and contrast ranges to the mix – now the range of image properties has increased exponentially.
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A lot of people imagine that there is some sort of ‘magic bullet’ method for sharpening images.
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